01 — Before the Cut
Films and campaigns where the camera observes as much as it records — built for Netflix, Amazon, Google, and the studios that set the frame.
We set the frame for
Partial roster · confidential commissions unlisted
SC 02Cold OpenManifesto
A scene is never neutral.
A frame is never innocent.
Between what happened and what remains,
there is a witness.
We build cinema for that space.
First witness, inside the frame. Second, behind the lens. The third — the one we work for — sits on the far side of the screen, breath held, already implicated.
03 / Selected Evidence
Evidence
06 entries · direction, design, campaign, system
A working archive of films, commissions, and cinematic systems. Each entry is a record, not a portfolio.
SC 04Method
Three lenses.
One discipline.
Every project is racked through each before it leaves the room.
- ƒ1.4
LENS 01
Frame
What we leave outside the frame is the first cut a film makes.
- ƒ2.0
LENS 02
Presence
The lens enters the room and closes the door behind the viewer.
- ƒ2.8
LENS 03
Memory
We build for the after-image — what stays once the screen goes dark.
SC 05Identity
Not a production house.
A point of view.
One discipline — the camera as witness — applied to every format. We staff for the frame, not for volume.
- 01Brand Films
- 02Commercials
- 03Title Sequences
- 04Campaigns
- 05Short Films
- 06Cultural Moving-Image
- 07Cinematic Systems
- 08Long-form & Documentary